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Satisfied with the destruction, The Weeknd speeds down Malibu Canyon Road with a black cat turned yellow-eyed panther in tow-another transformation that symbolizes The Weeknd’s darker and stronger shift.Īs the car winds around a corner and the video ends, we are left with the idea of a revamped performer. The havoc continues as the music intensifies. With shorter hair and a cockier attitude, The Weeknd evokes Jackson’s image by spinning around, shaking his shoulders, and bobbing his head. This devious dance through the apartment further exemplifies the comparison between The Weeknd and the King of Pop, Michael Jackson. Images of the “old” Weeknd flash across the screen as the “new” Weeknd destroys the awards and accolades that made him a “Starboy,” as the title of his song suggests. Abel Tesfaye’s favored director Grant Singer is. Snagging a neon pink cross from the wall, the video’s resurrection and religious imagery become even more apparent. The Weeknd and Daft Punk’s Starboy video a clip so good it was nominated for an MTV EMA before it was even released has arrived. Strutting through the victim’s lavish apartment, he smirks as he touches the posters and record sales certifications that line the apartment. Pulling off his ski mask and revealing his lethal deed, he embraces his rebirth as the song pulses in the background.
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The dark, alluring setting is the crime scene for The Weeknd’s death and consequent resurrection as an edgier and more electrifying version of himself. The audience watches the murdered “former” Abel Tesfaye’s body hit the floor just as the beat begins.
![the weekend starboy car video the weekend starboy car video](https://www.motorious.com/content/images/2020/11/Motorious--1.jpg)
An eerily synth-laden beat gives rise to the killer introduction of The Weeknd’s music video for his single, “Starboy.” Literally, the metaphor for The Weeknd’s self-reinvention is as subtle as gunfire, or, as he demonstrates, suffocation.